art

transferred image after printmaking

silver-tipped implement running over a surface that has been coated with a ground of bone dusk or chalk mixed with gum, water and pigment

thin rod of graphite encased within wood or a paper

prepared sticks that are formed by controlled charring of special hardwoods

prepared sticks that are formed by pulverizing and shaping soft limestone

prepared sticks that are formed by grinding pigment and mixing it with gum

any drawing material in stick form

prepared sticks that are formed by grinding pigment and mixing it with wax

prepared sticks that are formed by compressing graphite or charcoal and mixing it with wax

working surface of printmaking

diluted ink typically applied with a brush

history stretches back thousands of years

copper plate is covered with a liquid acid resistant ground of wax

copper plate matrix is carved with lines by forcing the sharpened burin across surface of the plate

reversal of the relief process, images that lie below the surface of the matrix

wood matrix is carved with knives or gouges

full scale preliminary drawings done on paper for projects

solvent that provides fluency to the paint so the color may be readily dispersed over the surface

pigment in powdered form mixed with a binding agent and solvent

result of liquid material being applied to a surface with an implement

art of painting on plaster

ground pigment mixed with a vehicle of egg yolk

ground pigment mixed with vehicle of wax that is heated to a liquid state

small section of a large fresco painted in one day

binding agent that holds together pigments

ground pigment with a linseed oil vehicle and turpentine medium

ground pigment with a plastic vehicle that can be thinned with water

an image is made on a surface by pressing with a tool

1. sketches that record an idea the artist has seen 2. plans for other projects 3. fully developed and autonomous works of art