Art

appropriation by mainstream marketers and producers

emphasize the embeddedness of the gaze of the individual viewer in a social and contextual field of looks, objects and other info

Pleasure one takes in looking while not being seen looking

an accepted dominant mode of acquiring and organizing knowledge in a given period of history

copy of an original work

special quality that seems to emanate from unique works of art

use of language or images to create meaning about world around us

literal, explicit meaning of a definition of a image

cultural or historical context of the image and its viewers lived, knowledge of those circumstances

indispensable shared set of values and beliefs through which people live their complex relations in a range of social networks

something outside of its individual components, symbolic meaning for many people

The way the images and media text seems to call out to us, catching our attention

Interaction of a variety of modes of visually

All images are subject to judgements about their qualities of their capacity to have an impact on viewers

images and objects that are trite, cheaply, sentimental and formulaic

A set of dispositins and preference we share as social subject as that are related to our class position, education, and social standing

Challenging the role of institution play in protecting, maintain and hiding ruling class interests in institutions

Dominant idelogy/dominance over others by a social group or ruling class

viewers of popular culture can inhabit that text by negotiating meaning through it and creating new cultural products in response to it

Mode of adaptation in which things are put uses for which they were not intended